A blog about a French horn player's journey with Focal Embouchure Dystonia; one of the only existing documentations of rehabilitation through videos and writing spanning over a decade. This blog shares resources, research, and information on FTSED and other music performance related injuries. Katie also advocates awareness, education, does presentations, provides guidance; and brings the musicians dystonia community together thru online groups, streamed interviews and conversation.
Saturday, October 26, 2013
Busy Bee
It feels like it's been ages since I've found time to log in and write a blog! I promise a video soon. I've been super busy, but life is good!!!
I've been focused on a huge list of things that need to be completed at CU, and also with new employment too. I wanted to make sure that my work was also music-related, and luckily I've been provided that! I help students test/pick out instruments, upgrade to intermediate or professional models, and help finance them! It's provided a great learning opportunity since I get to deal with the "music business" aspect of the field, and better understand instrumental rental and finance contracts. I also enjoy meeting all the teachers, and students/musicians.
This last week I ordered a new mouthpiece to try. I've been playing on my gold plated Farkas DC throughout rehabilitation, but you know how much I love experimenting to see if a size difference helps even the slightest bit. So far, my G17 helps with my mid-to-low range where my symptoms primarily effect me, but it lacks comfort and even harder to pivot from range to range...so my larger interval jumps are even more difficult to execute.
I decided to give the latest Dennis Wick-Paxman a try, so went ahead and ordered a DWPAX-6. It looks like the size of a trombone mouthpiece, but I want to see if this peculiar shaped mouthpiece will "feel" different enough to help me re-sensitize and also help with the size of my lips. I have to say I'm quite excited. It's larger, and it may help with my lower lip that can't seem to fit into my other mouthpieces which is causes me a ton of difficulties. I wanted to try something much bigger than what I typically play on. I am excited and will upload a video once it arrives and I try it out for a bit!
As far as my playing, I've definitely been building up my high chops. Well...I mean...high chops for me now classify as my treble clef range (space C up to line F on the top of the staff)...haha! Not like before where I didn't classify anything as high playing unless it was well above the staff....baroque stratosphere.
I'm really happy! I've now started playing excerpts!!! My large interval movement/jumps have been getting better. It's hard to describe how, but here's a go at it.....I've found air attacks help me land on lower pitches after jumping off a higher one, causes me to not have as many spasms. Therefore, there is a TON of large movements in my face, yet the feeling of "lack of control" and chances of spasms/involuntary contractions has lessened significantly. Because it is hard for the viewer (visually) to tell the difference between what movements are dystonic and which are intentional/a result of my air attacks, it's hard to see the improvement.
I'm able to tell there's a difference in improvement, because I "feel" it...but I think for the viewer, the best evidence is in the way I sound, despite all the large movement. It "sounds" more comfortable to me and like it's "easier" to play, despite all the movement. For me, a dystonic movement is one that doesn't enable me...one that is out of my own control.
Anywhoo! There's a lot to catch up on, and hopefully I'll be able to keep up on the blog, at least once a month at the least. That's all I have to write for now! Thanks for reading, and for your support throughout my recovery.....I remain optimistic as always!
- Katie
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