Showing posts with label Embouchure Change. Show all posts
Showing posts with label Embouchure Change. Show all posts

Sunday, January 13, 2013

Embouchure Change vs. Embouchure Adaptation




I was writing a reply to a post online earlier today (today is Jan. 20th, but I'm posting this under the 13th instead). I misread what they wrote.......:-S... now that I look back. The topic I thought they were talking about was a good one though! I still wrote a reply to something that I think is an important observation, even if that's not what the post's focus was. I wrote:

"I think that is a great observation (about the changes you feel in your embouchure)! I immediately thought... an embouchure change vs. an embouchure that HAS changed. I feel there is a difference though!... An embouchure change I usually think of mechanical....mechanical work....something intentional. Where an embouchure that HAS changed is something unintentional. 

I have heard of musician's who have developed embouchure dystonia-like symptoms after going through an embouchure change - meaning, changing the embouchure while it is still naturally set...intentionally changing what is natural. 


But an embouchure that HAS changed, is one that has done so on it's own... changed from it's former way/movements due to natural development, or from an injury, or from dystonia..something that was not intentional from one's own efforts.  


I feel like dystonia and/or an injury can cause an unintentional change (one out of our control), and this causes us to adapt to that change...so in a sense it is a change in how we re-wire the way we use our embouchure. I have heard of musician's overcoming embouchure dystonia through this adaptive change too (and it is something that has helped me recover a great deal of my abilities!). Some call it neuroplasticity or body mapping, but it is also in a sense or in general terms - an adaptive embouchure change...or even better worded... embouchure adaptation! 


Well, I just went on a rant! I was pondering about all this, and trying to find a way to explain how I feel there is a difference. I knew what you were trying to say, but it is hard to put in words how it is different than an embouchure change in a sense. When embouchure change is spoken, we typically think of - one that is intentional, for example; One that some students go through because their professor or teacher makes them."


As I was stating before that there is a difference between an embouchure change and adapting to a change of the embouchure. Some musician's that undergo an (intentional) embouchure change have been reported to have dystonia-like symptoms either a couple months afterwards or a couple years after one, and that the quivers/shakes are a result of the embouchure trying to resort to it's former function that existed before the embouchure change.

I believe this is similar to how a person with embouchure dystonia adapts to the (unintentional) changes/dysfunction over time...the body wants to re-wire the way the embouchure functions. The body knows how to restore function, but it takes time to not only re-develop (normal development already takes a lot of time, so 2x that with dystonia), but it's hard to listen to your body and understand how it wants to develop. With embouchure changes that required not too many changes from their previous form, it can be easier to restore sometimes; like a change in angle, or if they were a lower lip player who switched to upper lip. With dystonia however, it involves more than just adaptation and is very complex to work with, but it is still an important part of recovery!

With embouchure change, the symptoms are thought to be leaning more towards the body wanting to restore the previous way of doing things; the pre-existing function before the natural embouchure was changed . With dystonia though, any attempt to form an embouchure is very difficult. This is because the brain trying to piece together missing information from different areas of the brain to regain sensory/sensation and build new function...a new way to do things. The brain treats these messed up sensory signals as if permanent-damage was done, such as a blow to the head; it tries to piece the missing parts together and create new brain signals...to build a new map/representation so it can somehow function again. Except with dystonia, the missing parts are not due to a blow to the head, but due to the overlapping of sensory signals; they blur together and cause a malfunction, sending too many signals out...the agonist muscle activates while at the same time an antagonist muscles opposes it and they convulse/fight (in other words, you try to move your muscle, and an opposing one cuts it off ...resulting in contractions). You can see this really well in map representations of hand dystonia (the brain no longer senses the individual fingers...they become blurred).  That's my attempt at describing it best I can...not doing it justice though! :-S

I think whether you're dealing with a change to the embouchure unintentionally or intentionally, it is important to approach with this sense of awareness and intuition: to trust your own body, to respect natural development, to remember that your embouchure is a muscle and treat it with care, to be aware of your individual embouchure form and function, to study knowledge on embouchure form and function but be wary of misguided information/always keep an open mind and ponder things/also remember an embouchure is something that acts in motion (not a picture), and most of all....always think things through very seriously before you decide to do anything permanent to your embouchure.

I'll come back and edit this blog. I often write these blogs while thinking a million miles per hour, typing fast, with no regard for grammar or flow, and I repeat a lot of things. So will get around to that soon! 

Tuesday, December 6, 2011

Dr. Fabra: "Dystonia is an emotional condition" ...Really???

Check out this video on Dr. Fabra's site. I thought it was interesting because one of the trombone players who have FTSED had his first symptoms a couple years later after a major embouchure change. "If it ain't broke, don't fix it."



I've heard Dr. Fabra state in his videos and online that Hand Dystonia and Embouchure Dystonia is an emotional condition, which I highly disagree with or at least dislike labeling it as such. I disagree it is the source or culprit (of a neurological disorder), nor the pathway to recovery. 

It is a good starting point in recovery, especially for those who have just been hit with dystonia and going through a lot on the inside. Learning how to cope on an emotional level, or learning how to keep a positive mentality/inner strength throughout the process of rehabilitation is important, but it is not the source and cure of musician's dystonia.

To view a similar blog I wrote over....the link can be accessed here: Focal Dystonia is an Emotional Disorder? Since When?

Dr. Fabra states in one of his videos that his own teacher tried to change his embouchure, and not long afterwards he started to have dystonia symptoms, and the same goes for one of the trombonists in the video. There are players that have undergone embouchure changes and resulted in tremors or spasms in the embouchure. My question is so why isn't it a possibility that their symptoms occurred as a result of physical/mechanical change in their playing over time....rather than some deeply rooted emotional trauma?

My point is, no matter what triggered the dystonia symptoms, I believe it takes a lot of embouchure function retraining (or sensory-motor retraining) and inner healing together to make progress due to this setback...but do I believe their dystonia is an emotional disorder? (especially when there are many other cases people ignore, that show other possible triggers)....I do not believe it is valid enough or excusable to label it as an emotional condition.

When I say psychology. I'm referring to "emotional" disorders (acute or chronic) or the emotional realm, and when I say neurological, I mean the brain and sensory. And when I talk about muscle retraining, I am also linking it to cognitive restructuring....the way you perceive rehabilitation...how you approach it (basically setting up your mentality for rehabilitation, as it's much different focus than what you use in performance training).

I'm also not fond of him making it seem like if a musician does not find success when they visit him, it's because they did not understand his approach, or they did not fully embrace it, or "THEY" were too mentally exhausted to invest....why is it "their" fault? He makes it seem like it's the musicians fault that they couldn't embrace the "cure." Why isn't it a possibility that his method doesn't work for some people? or that it isn't the cure-all. One size doesn't fit all.

I may be repeating myself, but the psychology Fabra emphasizes is important for attending to the emotional turmoil you go through...I think that is important for many. But equally important, if not more...and what will carry on after emotional healing....is retraining the muscles and sensory...which all has to do with restructuring your mentality to focus on sensory-motor/embouchure function retraining- the way you think/focus or perceive what you're dealing with....I call it "embouchure awareness" or embouchure tension and body intuition awareness. That's what's given me the most progress on a physical level when facing my embouchure dystonia. Being aware of how my dysfunctional embouchure functions.